musée mia burrus

studio

but is it art?

I went to The Workroom in Toronto, looking for something else, of course, and spied a Merchant & Mills pattern (from Britain) for a woman’s boilermaker suit. I had 6 yards of fabric that I had retrieved from my late aunt’s place, that she had bought at, yes, Simpson’s…. …buttons from an old trenchcoat, linings

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a bouquet of ideas

Now is the time to write about roses. My friend, Kim, painted this scene, and she cherishes it’s dramatic colour. It immediately brought to mind the short story by Gabriel Garcia Marquez, called The Handsomest Drowned Man in the World. Between the image, the story, thoughts on consecration, and news from Europe of desecration, I

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deeper silence

It’s the last day of January. Housemouseish, I nibble at the edges of this and that. Write? Perhaps not. Edit? Here and there. Listen to music? It’s in the background. I continue work on and contemplate Silence(d), my altered book/poem, in which I demonstrate silence by excising, silence by redacting. Yesterday, I wrote a letter

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Silence(d)

A vow of silence for a lifetime or a day is observance, renunciation. Add ill intent and it becomes subservience, humiliation. In July 2021 Timothy Snyder wrote https://www.nytimes.com/2021/06/29/magazine/memory-laws.html in the New York Times magazine. Last night, CBC played https://www.thisamericanlife.org/758/talking-while-black . In between I’ve been working on a talmudic study of silence, of how we silence,

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inner city yurt

Tristan makes the most of the impossible Toronto real estate market by imaginatively using the 560 square feet he lives in with my daughter, Maja, and their 2 children under 2, Mila and Elsie. I think there might be a useful blog in there. It got me thinking about my own oft-neglected blog and how

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