musée mia burrus

studio

un-de-re-constructed

In order to create a collage or assemblage or bricolage you first need to take things apart, take them out of context, let them speak to you, reimagine them. My old laptop, physically broken and unsuitable for re-use, became a mine for materials. Removing a few screws and yanking a few tiny wire harnesses renders […]

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stanchion

A year ago I reread Phoebe Wang’s poem Invasive Carp and was inexplicably taken with a word she used – stanchion. From the word and it’s etymology and associations grew eight pages of musings and stabs at scraps of verse. I’d also had in mind for many years a favourite old photograph of snow fencing

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when it rains….

…you know the rest. The dry spell has been replaced by abundance, or at least the seeds. I am surrounded, big-windowed, by weather and its effects so why not tread the worn boards of this metaphor? The wet leaves applaud a day of rain, shake off summer’s dust, singing ‘school!’ Thinking ‘river’ I think too

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Making book

In the beginning was the word….that a serious writer must spend 30% of her creative time on marketing! If the goal is to publish then the path – a rocky one – is to create a web presence. Et le voila. So where is the book? On the equally rocky path to completion, she said,

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Reading Anne Sexton

Most mornings I read Rumi, his verse as shimmery and expansive as a length of fine silk. But recently I read One Eye, Two Eyes, Three Eyes by Anne Sexton, a brutal poem about mutant children and their mothers from a book of retold fairy tales. Of course original fairy tales are all grotesques, so

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a question of scale

Scale can relate to relative size or to music. Curiously the two meanings converge in a poem from 2016 in Reading Room called Small World Tales, the start of an imagined, or hoped for, series. The Hadza are a nomadic people for whom time is not of the essence. I wanted to compare their pace

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writing on parchment

In the oppressive drought of an extended heat wave, everything is parched. The leaves in the stale breeze are as percussive as they’d be in late August. The return of the crows add a bluesy accompaniment. I wonder about my well, and if I should peer into it and risk having my worries validated. I

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