musée mia burrus

studio

Making book

In the beginning was the word….that a serious writer must spend 30% of her creative time on marketing! If the goal is to publish then the path – a rocky one – is to create a web presence. Et le voila. So where is the book? On the equally rocky path to completion, she said, […]

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Reading Anne Sexton

Most mornings I read Rumi, his verse as shimmery and expansive as a length of fine silk. But recently I read One Eye, Two Eyes, Three Eyes by Anne Sexton, a brutal poem about mutant children and their mothers from a book of retold fairy tales. Of course original fairy tales are all grotesques, so

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a question of scale

Scale can relate to relative size or to music. Curiously the two meanings converge in a poem from 2016 in Reading Room called Small World Tales, the start of an imagined, or hoped for, series. The Hadza are a nomadic people for whom time is not of the essence. I wanted to compare their pace

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writing on parchment

In the oppressive drought of an extended heat wave, everything is parched. The leaves in the stale breeze are as percussive as they’d be in late August. The return of the crows add a bluesy accompaniment. I wonder about my well, and if I should peer into it and risk having my worries validated. I

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so many things, so much time…

…are needed to complete a piece, or at least to call it complete. The path I try to follow, gleaned from several sources is: be curious, question, explore, collect ideas, learn skills, file, filter, reflect, experiment, watch for creative collisions, prototype, work, deadline, deliver, repeat! My deadline in this case was to complete a poem

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wordlessness

Back in December I posted my sketchbook and notebook ideas for Stanchion. I knew at least one version of it would be a haptic poem and the result is in Gallery. A ‘verse’ in barnboard and barbed wire, saying something or nothing about fences, walls, barriers, all of our own making. Another version of Stanchion

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