musée mia burrus

studio

a question of scale

Scale can relate to relative size or to music. Curiously the two meanings converge in a poem from 2016 in Reading Room called Small World Tales, the start of an imagined, or hoped for, series. The Hadza are a nomadic people for whom time is not of the essence. I wanted to compare their pace […]

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writing on parchment

In the oppressive drought of an extended heat wave, everything is parched. The leaves in the stale breeze are as percussive as they’d be in late August. The return of the crows add a bluesy accompaniment. I wonder about my well, and if I should peer into it and risk having my worries validated. I

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so many things, so much time…

…are needed to complete a piece, or at least to call it complete. The path I try to follow, gleaned from several sources is: be curious, question, explore, collect ideas, learn skills, file, filter, reflect, experiment, watch for creative collisions, prototype, work, deadline, deliver, repeat! My deadline in this case was to complete a poem

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wordlessness

Back in December I posted my sketchbook and notebook ideas for Stanchion. I knew at least one version of it would be a haptic poem and the result is in Gallery. A ‘verse’ in barnboard and barbed wire, saying something or nothing about fences, walls, barriers, all of our own making. Another version of Stanchion

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we’ve been starved…

…of colour among many other things. This week the cheap thrill of pink inspired my shutter finger and pen-in-hand. In mere days the view outside my window has filled with green, emptying my duff- and kapok- filled synapses of winter’s shades of grey. If only we could give a gift of pretty fresh picked flowers

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Mood Indigo

The seemingly endless unmonetized virtual concerts on YouTube only make me think of the concert Vicky and I were so fortunate to see in person on March 3 – The Indigo Project, by Tafelmusik and Suba and Trichy Sankaran and two student choirs. With no living, breathing encore performance on the horizon, this concert has

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