musée mia burrus

studio

Musings on technology

Why do I have seven typrewriters? Why not. Most belonged to my late father, who also seemed to think you couldn’t have too many of them. Two are electric, not on display, and untested. Of the five seen in Gallery, four function and have new ribbons. All contain typed poems. Of course, their useful lives

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Notes for Stanchion

Sept /19 Such a chewy word. Stanchion. Stanchioned. Stanchionesque. From the Latin, sto, stare, stedi, statum – stand. And from Phoebe Wang’s poem Invasive Carp. The images that came to mind have lots of linear elements and could be a haptic poem – tactile not textual. Oct/19 Then again, stanchions like snow fences are porous

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The creative workout…

…doesn’t require costly equipment behind which you can hide, special clothes that proclaim you ‘artist’, paid up dues that are heavy with obligation. There is just the empty page, the will to pick up the pencil and make the first mark, and a quantity of non-commoditized, quality time; remembering to turn your internal judge and

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So many questions…

This week I share some of my creative process. I’m always interested in others’ ways of creating, almost as much as I am in the creations themselves. Every week I spark the creative fire by looking for an image and investigating why it captured me, reading a poem and commenting upon it, randomly choosing a

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Thinking about the future…

… within the present intersection of: Theory U and the 3D Mapping exercise from MIT’s U-Lab, The Spell of the Sensuous by David Abram, Sacred Economics by Charles Eisenstein. There’s no time like the present to acknowledge that the future need not look like the past. The photos are my solo attempt at 3D Mapping,

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