musée mia burrus

Montreal Massacre

August 6 and 9 are the 75th anniversaries of the atomic bombing of Hiroshima and Nagasaki. I am rereading John Hersey’s account of six hibakusha, literally “explosion-affected persons”, thinking of the tiny lanterns set afloat on the river each August, and the Hiroshima memorial/museum, which, if I had a bucket list, would be on it. On the fiftieth anniversary of the atomic bombing, city sidewalks were filled with chalk outlines of human forms, mimicking the only traces of instantly incinerated victims.

I made a point of completing another anniversary project this week, one I started just after New Year, about the 30th anniversary of the Montreal Massacre, whose date was December 6 2019. This anniversary, of an event which happened in my lifetime, became the thorn on the red rose, useless repetition, regression, the record with a skip in it. It started as a poem but devolved into an assemblage, finally becoming a setting for a ‘poem’ (or the world’s shortest play). I literally stick it to the white ribbon campaign, with side trips into Atwood’s Handmaid’s Tale and Greek tragedy. I have tried to remain positive! Res ipse loquitur.

Montreal Massacre
 
 
Dramatis Personae
 
The Fates, robed in white,
whom Erebus begot on Night:
 
Clotho : with spindle and loom and white linen thread
Lachesis : unspooling ribbon with a measuring rod
Atropos: small and terrible, wielding shears
 
Chorus of Women: heard from the distant land of the dead
Priestesses of Hestia: tending the embers, gift of their god
Suppliant Women:  terribly small, hiding their tears
 
Mute:  the rifle-maker, the soap-box builder, the brooding recluse
 
 
A winter night, lit by the moon
The Chorus sings basso continuo:     weave      draw      cut      pin
 
 
Clotho:  I spin the sacred strands of my own self and weave them into cloth that is fine and
pure, endowed with all that is divine.                                         
.                                                          weave      draw      cut      pin
Lachesis:  I draw web-delicate lengths of ribbon, read with fingers fine and pure the life
unfurled, imperfect, yes, and in places rough.
                                                           weave       draw      cut      pin
Atropos:  I execute a cut, my silver blade so fine and pure a lightening strike in darkest night.                                                                                                             
                                                           weave       draw      cut      pin
Suppliant Women:  We pin the ribbons, wipe our tears, and pin again, against the pain, sacrifice
the captured small white butterflies, surrender our dead sisters to the page, that we be free to
turn, to wholly occupy the stage.
                                                           weave       draw      cut      pin
Priestesses: Majestic women, immeasurable as flame!  You carry within you our sacred blaze.
But do not settle for remembrance and release.  Hestia’s embers burn eternal and for eternal
peace.
               
 
Exeunt: the rifle-maker, the soap-box builder, the brooding recluse
 
 
 
 
 
Montreal Massacre aug2020